Sam's work with Moses Sumney began in 2016, when Moses reached out to commission a video for his song Lonely World. That first video turned into one of Sam's longest-running collaborations. 

In the decade since, the two have made more than a dozen experimental videos together, shot a cover story for METAL Magazine, and taken on branded projects for Microsoft and Amazon Music. For Microsoft, that meant a live performance of Bless Me rebuilt as 3D animation through Azure Kinect — directed remotely, with Sam and Moses in two different cities, in the middle of the pandemic.

The work ranges widely, but the throughline for Cannon holds: feeling consistantly inspired by Sumney and the desire to help translate his music, which feels so powerfully cinematic, into larger visual worlds. 

MOSES SUMNEY 
VARIOUS WORKS

ROLE  
CREATIVE DIRECTOR   DIRECTOR   PHOTOGRAPHER



LONELY WORLD  2016

2024





DON’T BOTHER CALLING   2017




CREATIVE DIRECTION AND SCREENS CONTENT   2020












METAL MAGAZINE    Nº 50 SPRING/SUMMER 2024








While social-distancing in his home in Asheville, North Carolina, Cannon collaborated with Moses Sumney to create a performance video for his track, "Bless Me." Sumney recorded vocals, guitar, and movement against a white wall in his living room, while Cannon directed him remotely over Skype. In addition to the audio and video, Sumney's motion was recorded in real time using an Azure Kinect. The resulting point cloud data was then used to create surreal 3D animations inspired by topographic maps and Rorschach tests. The final video was printed to VHS, further exploring the themes of recorded information, technology, and memory. 



BLESS ME (LIVE FROM HOME)   2020
 

OOH   LOS ANGELES



STORYBOARDS
CAPTURING POINT CLOUD DATA WITH AZURE KINECT



To coincide with the release of his double album græ, Cannon partnered with Amazon Music to create an installation for Moses Sumney's month-long artist residency at Bootleg Theater. The space—where Sumney began his career as a live performer six years prior—was transformed into an immersive listening lounge with 3D Audio on an Echo Studio. 

The installation explored the spectrum of greyness in regard to color, displacement, interstitial space, and marginal identity. It featured previously unreleased images and video of Sumney, as well as scans of the original hand-written lyrics from græ.








BOOTLEG THEATER IN LOS ANGELES 2020




LISTENING EXPERIENCE LAYOUT CONCEPT
ART PRINTS   FRANCIS KOKOROKO
LYRICS   MOSES SUMNEY




METAL MAGAZINE
STYLING   MARCUS CORREA
GROOMING  JAIME DIAZ
1ST ASSIST  ASHLEY CRICHTON
2ND ASSIST  PATRICK JONES
INTERVIEW   ANTONIO MOLINA

BLESS ME (LIVE FROM HOME) PRESENTED BY MICROSOFT
AGENCY   LISTEN
PRODUCTION   LISTEN
CREATIVE DIRECTION   SAM CANNON
VIDEO DIRECTORS   MOSES SUMNEY & SAM CANNON
ANIMATION   LUIGI HONORAT
VHS PRINTING   JOSH FINK
EDITOR   SAM CANNON
ASSISTANT CAMERA   SPENCER KELLY

GRÆ RESIDENCY PRESENTED BY AMAZON MUSIC
CREATIVE DIRECTION   SAM CANNON
PRODUCTION   THE MORRISON GROUP
VIDEO ART   JOSH FINKE & SAM CANNON
ART PRINT IMAGES   FRANCIS KOKOROKO



@SAMCANNON
© SAM CANNON 2026